Creative art and fine art

Inside the perspective of the history of art,[10] artistic works have existed for nearly as long as humankind: from early pre-historic art to modern day art; however, some theories restrict the principle of “artistic works” to modern Western societies.[12] One early sense of the definition of art is closely related to the older Asian meaning, which roughly means “skill” or “craft, inch as associated with words such as “artisan. inch English words derived from this include artifact, manufactured, artifice, medical arts, and military arts. However, there are numerous other colloquial uses of the term, all with some relation to its etymology.
20th-century Rwandan bottle. Artistic works may serve practical functions, in addition to their decorative value.
Few modern scholars have been more divided than Plato and Aristotle on the question concerning the value of fine art, with Aristotle strongly promoting art generally speaking and Avenirse generally being against their relative importance. Several listenings in Plato tackle questions about art: Socrates says that poetry is influenced by the muses, and is not rational. This individual speaks approvingly of this, and other varieties of bright madness (drunkenness, eroticism, and dreaming) in the Phaedrus (265a-c), and yet in the Republic wants to outlaw Homer’s great graceful art, and laughter as well. In Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. The conversation Ion shows that Homer’s Iliad functioned in the ancient Greek world as the Bible does today in the modern Religious world: as divinely influenced literary art that provides moral guidance, if only it can be properly interpreted. With regards to the literary art and the musical arts, Aristotle considered epic poetry, misfortune, comedy, dithyrambic poetry and music to be mimetic or imitative art, each varying in imitation by medium, object, and manner.[13] For example, music imitates with the media of rhythm and harmony, whereas dance copies with rhythm alone, and poetry with language. The forms also differ in their object of counterfeit. Comedy, for instance, is a dramatic imitation of men worse than average; whereas tragedy imitates men slightly better than average. Lastly, the forms fluctuate in their manner of imitation–through narrative or personality, through change or any change, and through episode or no drama.[14] Aristotle believed that imitation is natural to mankind and constitutes one of mankind’s advantages over animals

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